Have the latest batch of music-oriented Kickstarter campaigns gone too far?
Films are rarely served by revealing everything—especially when nothing’s there.
Upstream Color is one of my favorite new films, but I never know how to talk about it. This A.V. Club column articulates a lot of what I feel about the film and the general tendency we all have to try to solve a work of art. Seeing a film like Upstream Color, as unresolved as it is, has had a big impact on my how I approach my job and has reinforced feelings I’ve had about the music I write and the music I consume.
Thank you to everyone who has bought a record, a ticket for the summer tour, or just had something kind to say about everything we’ve been working on.
I’m proud of my man Koji. Very glad to be involved with this record (I designed the cover).
Courageous move by Collins. Good for him for taking this historic step forward.
Finding a job is hard enough for recent graduates, but for those on the autism spectrum the search can be even harder. One training program in Texas is helping these young people prepare for jobs in the tech industry.
I’m glad to see that this program is getting some press. My brother was accepted into the program last month and it’s been pretty clear to see how much more comfortable he is in a setting like nonPareil than he was in community college.
FINALLY, the new Daft Punk single: “Get Lucky”
Let me just warn you that the new Daft Punk record is going to be ALL UP on our wedding dance floor … in case that was even a question
See you on the dance floor.
I read today that Mavis Staples has a cover of this song on her new record that’s out this summer, so I thought I’d post this. It’s one of my favorite songs.
I think you know that you have a great song when it can be stripped bare and still be stirring. This is a prime example.